/ ABOUT
ABOUT /
The New Gallery (TNG) is an artist-run centre located in Mohkinstsis also known as Calgary, in Chinatown on the
traditional territories of the people of the Treaty 7 region in Southern
Alberta, which includes the Blackfoot Confederacy (comprising the
Siksika, Piikani, and Kainai First Nations), the Stoney Nakoda
(including the Chiniki, Bearspaw, and Wesley First Nations), and the
Tsuut’ina First Nation. The City of Calgary is also home to the historic
Northwest Métis and to the Otipemisiwak Métis Government, Métis Nation
Battle River Territory, Métis District 5 and Métis District 6. TNG would
also like to acknowledge the many other First Nations, Métis and Inuit
who have crossed this land for generations, as well as Indigenous
peoples across Turtle Island who have stewarded and protected this land
for generations, and who continue to do so today. This charitable centre for contemporary art was established in 1975 as the Clouds & Water Gallery and Visual Production Society.
To provide opportunities and venues for artists that foster social and political art practices, while engaging and educating audiences through artist-run culture and contemporary art.
VISION /
To provide opportunities and venues for artists that foster social and political art practices, while engaging and educating audiences through artist-run culture and contemporary art.




The New Gallery... isn’t new!
A BRIEF HISTORY OF THE NEW GALLERY /
The Clouds & Water Gallery and Visual Production Society opened its doors on March 15, 1975. One of the first artist-run centres to be established in Canada, it immediately provided a compelling alternative to mainstream culture in Calgary. In addition to gallery exhibition programming, the Society operated the Sancious Coffeehouse, where live presentations of experimental performance art (spoken word, experimental dance, theatre and music) took place. This marked the beginning of the Society’s consistent support of time-based and performative arts.

︎Read More..
PRESS /
2025
Last days of Calgary's Eau Claire Market chronicled in new multimedia exhibit an article covering see you there // meet me here: echoes of eau claire written by Amir Said for CBC. Published May 25, 2025.
CKUA’s Kate Stevens invites Szeto to chat about see you there meet me here: echoes of eau claire for CKUA Radio. Published May 22, 2025.
The last days of the Eau Claire Market an interview by Loren McGinniss, host of Calgary’s Eye Opener with Jessica Szeto, covering see you there // meet me here: echoes of eau claire for CBC. Published May 22, 2025.
Take Action in the Spirit of Sisterhood, Four industry leaders discuss the critical role art and the legal system play in advancing human rights. Article and panel discussion. Featuring Gina McKinnon of The New Gallery’s board of directors. Published February 5th, 2025.
Molly JF Caldwell - on UwU at the New Gallery, CKUA’s Grant Stovel finds out all about the cuteness of Molly Jf Caldwell’s exhibition ⋆˚࿔ UwU 𝜗𝜚˚⋆. Aired January 17th, 2025.
Molly JF Caldwell at The New Gallery, Calgary a review regarding ⋆˚࿔ UwU 𝜗𝜚˚⋆ written by Levin Ifko for Akimbo. Published January 29, 2025.
2024
ALBERTA MORNING: Kev Liang, Kev Liang joins CKUA's Grant Stovel to discuss jiā yóu! and his identity as a queer, diasporic 2nd-generation Chinese-Canadian. Aired February 8th, 2024.
TRAFFIC JAMS: Tangled and Marooned, Kaili Che joins CKUA's Lisa Wilton to discuss Marooned and her passion for dance education. Aired January 9th, 2024.
︎Read More...
PARTNERING WITH TNG /
Aside from being associated with Calgary’s original artist-run centre, partnering with TNG offers a superior range of opportunities for companies to achieve specific business objectives through sponsorship. We are happy to custom tailor a sponsorship package to suit your needs. For more information concerning support opportunities, please contact TNG’s co-director, Alexa Bunnell at alexa@TheNewGallery.org
LOCATION /
Aside from being associated with Calgary’s original artist-run centre, partnering with TNG offers a superior range of opportunities for companies to achieve specific business objectives through sponsorship. We are happy to custom tailor a sponsorship package to suit your needs. For more information concerning support opportunities, please contact TNG’s co-director, Alexa Bunnell at alexa@TheNewGallery.org
LOCATION /
ABOUT THE NEW GALLERY / PRESS
︎︎︎ Back
PRESS /
2025
Last days of Calgary's Eau Claire Market chronicled in new multimedia exhibit an article covering see you there // meet me here: echoes of eau claire written by Amir Said for CBC. Published May 25, 2025.
CKUA’s Kate Stevens invites Szeto to chat about see you there meet me here: echoes of eau claire for CKUA Radio. Published May 22, 2025.
The last days of the Eau Claire Market an interview by Loren McGinniss, host of Calgary’s Eye Opener with Jessica Szeto, covering see you there // meet me here: echoes of eau claire for CBC. Published May 22, 2025.
Take Action in the Spirit of Sisterhood, Four industry leaders discuss the critical role art and the legal system play in advancing human rights. Article and panel discussion. Featuring Gina McKinnon of The New Gallery’s board of directors. Published February 5th, 2025.
Molly JF Caldwell - on UwU at the New Gallery, CKUA’s Grant Stovel finds out all about the cuteness of Molly Jf Caldwell’s exhibition ⋆˚࿔ UwU 𝜗𝜚˚⋆. Aired January 17th, 2025.
Molly JF Caldwell at The New Gallery, Calgary a review regarding ⋆˚࿔ UwU 𝜗𝜚˚⋆ written by Levin Ifko for Akimbo. Published January 29, 2025.
2024
ALBERTA MORNING: Kev Liang, Kev Liang joins CKUA's Grant Stovel to discuss jiā yóu! and his identity as a queer, diasporic 2nd-generation Chinese-Canadian. Aired February 8th, 2024.
TRAFFIC JAMS: Tangled and Marooned, Kaili Che joins CKUA's Lisa Wilton to discuss Marooned and her passion for dance education. Aired January 9th, 2024
2023
Artslink - Kiona Ligtvoet on CJSW 90.9fm interview with Kiona Ligvoet about her exhibition And in spring we'll wait for lilacs at The New Gallery. Aired March 27th, 2023.
On Art: “And in spring we’ll wait for lilacs”, CKUA, Kiona Ligtvoet is interviewed by Lisa Wilton on CKUA’s Traffic Jams. Aired March 15th, 2023.
2022
“How to be a Chinese Ally” Edited by Annie Wong and Chen Chen Awarded Art Publication 2022 at the 2022 GOG Awards which recognizes an extraordinary book, film, video or website project. The digital program book is available here. The 2022 GOG Awards took place on Monday, November 28th, 2022.
Local IBPOC Artists Unite For Calgary Premiere Of Multi-Sensory Presentation feature about Pam Tzeng’s and FOONYAP’s work in the SHED exhibition by Stephi Wild for Broadway World. Published May 13th, 2022.
Danielle Piper art shows now on at Central Library, New Gallery an article featuring Danielle Elizabeth Piper’s exhibitions at the Calgary Central Library and The New Gallery, by writer Aryn Toombs for Livewire Calgary. Published May 12th, 2022.
Pam Tzeng: Artist Rekindles Her Love of Dance in SHED featuring The Story Telling Podcast where Tzeng tells her story and about the SHED project, by Cherie McMaster for Calgary Arts Development. Published May 10th, 2022.
Calgary Artist Explores Change in Recent Residency a feature that covers Levin Ifko’s Writing with My Hands artist residency, by writer Abby Parker for the Calgary Journal. Published May 5th, 2022.
Pam Tzeng and FOONYAP Celebrate the Inherent Wisdom of the Body in SHED an insightful look into Tzeng’s exhibition SHED, by Danielle Wensley for RANGE Publication. Published on April 26th, 2022.
Florence Yee, Embroidered texts critique systems of race and labour an exhibition review of You Listen Better to Echoes by Florence Yee. Written by Shazia Hafiz Ramji for Galleries West Magazine. Published on February 7th, 2022.
2021
2021 Critic’s Picks: Calgary a relective and thoughtful review by writer and anti-artist oualie frost on What are your weekend plans? 你的周末计划是什么? by Qian Cheng which was exhibited February 23–May 23, 2021. Published December 15, 2021
2020
The Feminine, the Grotesque and the Reclaimed a feature by Anj Femor for Canadian Art that discusses Matrilineal Threads by Kasie Campbell which was exhibited at TNG November 9–December 21, 2019. Published November 24, 2020.
SNEAK PEEK: Andrea Alkalay a feature covering Urban Territories and The New Gallery’s new programming site Billboard 208. Published July 12, 2020.
Hopping for Hope: Ahreum Lee at The New Gallery a review of Hopping for Hope written by Steph Wong Ken for Luma Quarterly. Published Spring 2020.
Ahreum Lee at The New Gallery, Calgary a review regarding Hopping for Hope written by Maeve Hanna for Akimbo. Published January 22, 2020.
Borders (Episode 23) of The Rambler’s Almanac featuring an interview with Hopping for Hope artist Ahreum Lee from the 2:11:30 to 2:31:30 mark. Originally aired on CJSW 90.9 FM on January 16, 2020.
City Spotlight: The New Gallery audio clip as featured on CJSW 90.9 FM. Published January 2020.
2019
News Roundup: Can the National Portrait Gallery of Canada Be Revived? featuring a mention of The New Gallery’s Calgary Chinatown Artist Residency. Published November 14, 2019.
Michèle Pearson Clarke at The New Gallery, Calgary a review regarding Suck Teeth Compositions written by Maeve Hanna for Akimbo. Published October 16, 2019.
The Quiet Resistance, an interview with artist Carrie Allison regarding These Threads Hold Memory written by Missy LeBlanc for Canadian Art. Published September 11, 2019.
Varvara & Mar: Chameleon a review regarding Chameleon written by Steph Wong Ken for C Magazine. Published Autumn 2019.
Against the Odds, Calgary’s Art Community Reboots written by Dick Averns for Canadian Art. Published March 13, 2019.
Jill Ho-You at The New Gallery, Calgary a review regarding Inversion written by Maeve Hanna for Akimbo. Published January 16, 2019.
2018
Critics Picks: Maeva Hanna for Akimbo Art. Published December 12, 2018.
Top 40 Under 40: Su Ying Strang written by Shelley Arnusch for Avenue Magazine. Published October 24, 2018.
Five galleries cut ties with Arts Commons after Jordan Peterson lecture concerns, cancellation of trans artist installation written by Mary Getaneh for The Star. Published October 24, 2018.
Five galleries cease programming at Arts Commons after censorship controversy written by Jon Roe for the Calgary Herald. Published October 19, 2018.
Artist-Run Centres Leave Calgary Arts Commons written by Leah Sandals for Canadian Art. Published October 18, 2018.
News in Brief: Support Builds for Censored Artwork written by Leah Sandals for Canadian Art. Published September 20, 2018.
Calgary art venue tells artist to remove poster listing names of trans murder victims written by Rafaella Gunz for Gay Star News. Published September 16, 2018.
Censorship Issues Surface at Arts Commons in Calgary written by Leah Sandals for Canadian Art. Published September 13, 2018.
Calgary venue tells artist to remove poster listing names of trans murder victims written by Sarah Rieger for CBC News. Published September 13, 2018.
Arts commons accused of censorship for removing LGBTQ artist’s work written by Sarah Rieger for CBC News. Published September 11, 2018.
2017
Five to See article with a mention of Maddie Alexander’s Dancing on My Own for Femme Wave Visual Art.
The New Gallery: Ever Changing but Not New article with history of TNG with a focus on the then current exhibition: Perfect Memory: Authentic Gift Shop
News In Brief with a mention of the New Gallery’s Sandstone City Builder Award win. Published March 24, 2017.
Keepsakes for the Displaced a review regarding Perfect Memory: Authentic Gift Shop written by Jonathan Alfaro for freq. Magazine. Published March 17, 2017.
Must-Sees this Week: March 2 to 8, 2017: Canadian Art weekly featuring a mention of Perfect Memory: Authentic Gift Shop by SAD LTD.
13 Visual Arts Events and Exhibitions to Know About this March including a short review about Perfect Memory: Authentic Gift Shop written by Karin Oluffson for Avenue Magazine. Published March 1, 2017
Building Prisons In Order to Destroy Them Interview and article by Leah Sandals for Correctional Service Canada Accommodation Guidelines: Mental Healthcare Facility 10m2 x 2 by Sheena Hoszko
2016
What Happened When One Artist Tried to Walk Calgary’s 174-km City Limits Review for A Woman Walking (the City Limits) by Alana Bartol By Leah Sandals, Published November 7 for Canadian Art.
Intimate art experiences in unexpected spaces at Intersite Festival By Sascha Semenoff. Published October 31.
Divya Mehra on Akimbo By Sarah Todd. Published September 28 for Akimbo.
Hannah Doucet I Never Recognized her Except in Fragments By Ginger Carlson. Published July 28 by Blackflash.
Hannah Doucet’s Hit List Published July 6.
Ruth Marsh in CBC National Arts By Leah Collins. Published June 1.
CKUA Arts and Culture Soundbite for Ruth Marsh’s exhibition, Ideal Bounds.
Yeah, What She Said featuring an interview with Danièle Dennis about her exhibition Colour, Value and Hue
Danièle Dennis on Global News about her exhibition Colour, Value and Hue Originally aired April 9.
2015
Can Writing About Art Be Art?: Mark Clintberg, Jacob Wren and Jeanne Randolph. Published by Luma Quarterly.
CJSW Big Friday features an interview with Lisa Lipton about her performance and show with The New Gallery and Sled Island. Originally broadcast June 26.
The Impossible Blue Rose By Vladimir Taikov. Published June 29 for calgaryisawesome.com
Krista Belle Stewart Weaves an Alternate History by Alison Cooley. Published May 19, for canadianart.ca.
THE TRUTH IS OUT THERE, NORTH OF EDMONTON by Alexander Kim. Published February 26 online at thegauntlet.ca
2014
Three questions with Shlomi Greenspan and Sarah Beck by Craig R Palmer. Published November 20 in Swerve.
Reconvenience art show unearths relevant past 25-year-old time capsules revealed at United Congress reunion show by Kari Pedersen. Published September 25 in The Reflector.
In the Galleries: United Congress Reconvenience at The New Gallery by Jon Roe. Published September 5 in Swerve.
Arteries: Reconvenience by Matt Hanson. Published September 1 on BeatRoute.
How to like things The romantic criticism of Adam Waldron-Blain by Lucas Ker. Published August 7 in FFWD Weekly.
Space + Place #37 Social optimism by Amery Calvelli. Aired August 5 on CJSW 90.9 FM.
Mary Rothlisberger at The New Gallery by Andrea Williamson. Published June 3 on Akimblog.
Arts Seen Art explores politics by Maureen McNamee. Published March 20 in FFWD Weekly.
The Travelling Light at The New Gallery by Andrea Williamson. Published March 6 on Akimblog.
Calgary Arts Round Up: March 3–9 by Amy Jo Espetveidt. Posted March 3 on Calgary Is Awesome.
CKUA ArtBeat Felix Kalmenson exposes the role of communication methods in the experience of trauma and process of reconciliation. Originally broadcast February 9.
Raising the alarm Installation offers critical view of Syrian conflict by Cadence Mandybura. Published January 16 in FFWD Weekly.
2013
CKUA ArtBeat JD Mersault confronts his insignificance at The New Gallery’s +15 Window. Originally broadcast November 10.
The New Gallery lives up to its name Emphasis shifts to engaging exhibitions and community initiatives by Andrea Williamson. Published October 3 in FFWD Weekly.
Arts Seen by Maureen McNamee. Published September 12 in FFWD Weekly.
Similar But Different at The New Gallery by Dick Averns. Published April 2 on Akimbo.
On Rebekah Miller’s Skins by Eric Heitmann. Published January 30 in Portage Press.
Skins deep Artist takes on surfaces in new installation exhibit by Cadence Mandybura. Published January 10 in FFWD Weekly.
Arteries by Cait Lepla. Published January 2 in BeatRoute.
2012
Jaynus O’Donnell: Pioneers by Jill Sawyer. Published in Galleries West.
M:ST 6 Highlights by Megan Morman. Published October 30 in ARTGOSSIP.CA.
Ghosts of John Snow House by Megan Morman. Published October 26 in ARTGOSSIP.CA.
Arteries Turning over new leaves by Cait Lepla. Published October 1 in BeatRoute.
Arteries by Cait Lepla. Published July 3 in BeatRoute.
We’re all in this together LIDS, John Snow House, Calgary by Amy Fung. Published June 20 on POST pacific POST.COM.
GMO thought experiments by Cadence Mandybura. Published May 17 in FFWD Magazine.
Monsantra on CBC Radio Homestretch, originally broadcast May 4, 2012.
Turner Prize* at TNG by Kammryn Dancy. Published in The Calgary Journal, April 3, 2012.
Other People’s Dreams by Dick Averns. Posted April 17, 2012 on akimbo.ca.
2011
A fresh take on Art. Published October 18, 2011 on Goodwill Alberta’s website.
News Hour Clothing art by Gil Tucker, Global TV, aired October 4, 2011.
Two artists are better than one International artists provide a new way of making art. Published September 8, 2011 by Marcella Ducasses in FFWD Magazine – Visual Arts.
Five Feature Celebration Sites and 64 Host Celebration Sites to lead Alberta Arts Days festivities, media release, Celebration Site grant recipients, Government of Alberta, May 19, 2011.
Canada Artist Portraits – Galleries West Art Shows & Exhibits by Amy Fung in Galleries West.
letter opener, Published online on April 6, 2011 by Vitamin Daily.
Heather Passmore: Rejection Published online on March 24, 2011 in Canadian Art.
Stephen Mueller: Thinking Inside the Box by Christopher Willard, Published January 6, 2011 in Canadian Art.
2010
Calgary art in 2010 and beyond: A look back and forward at the visual arts scene Published December 30, 2010 by Fast Forward Weekly writers in Visual Arts.
The Whodunnit Ornament Sale December 16, 2010, Swerve Magazine.
Box Man by Gil Tucker, Global TV, aired November 24, 2010.
Please Don’t Go is an exercise in compulsive patience by Caitlind R.C. Brown
in FFWD Magazine – Visual Arts Published November 18, 2010.
e-flux journal here in print By Nancy Tousley.
to Art in Calgary Published online July 30 2010.
The New Gallery by Stephen Hunt Published online on July 13 2010, Blade Runner.
Rolande Souliere, I am JUST not good at following directions, Published June 24, 2010, Canadian Art.
City council votes to rezone Snow House By Nancy Tousley to Art in Calgary Published online on June 9 2010.
Help preserve Calgary’s artist-run culture By Nancy Tousley to Art in Calgary Published online on May 18 2010.
Driven by distraction Tim Westbury manages many talents Published February 18, 2010 by Laurel Smith in FFWD Magazine.
Analog Authenticity Published online on January 7, 2010 Canadian Art.
2009
Swimming in dangerous waters Published October 15, 2009 by Erin Belanger in FFWD Magazine.
State of the Arts : Artist-run centres have ambitious plans to finally find permanent homes, Nancy Tousley, Calgary Herald, Published September 13, 2009 http://www.calgaryherald.com/travel/State+Arts/1988809/story.html.
The New Gallery at home in Eau Claire Market, Review in FFWD’s Fall Art Guide Published September 3, 2009 by Bryn Evans http://www2.thenewgallery.org/files/TNGinFFWDFallArtsGuide09.pdf.
Window shopping Artist run centres display the goods in the Plus 15s, Published August 20, 2009 by Mark Strowbridge in Visual Arts.
Sound of (almost) silence Subversive audio installation at TNG tricks the ears Published July 16, 2009 by Erin Belanger in FFWD.
Rezdogs and city slickers Transforming Motion takes a long look at First Nations identity Published May 21, 2009 by Travis Murphy.
Rezdog By Mike Landry on Things of Desire Art Blog.
Moving Forward Looking Back: Transforming Motion by Tammy McGrath, Fuse Magazine, 57 Volume 32, Number 4.
Sex and anxiety Old prom dresses become new phalli at The New Gallery Published April 23, 2009 by Julie Bevan in FFWD.
Penis Art is Offensive Yeah, What She Said!
Calgary’s only women’s / feminist radio program – Mondays @ 8:30 PM (MST) on CJSW 90.9 FM and www.CJSW.com.
Extra Censory Perception by Tim Westbury in Shotgun-Review.
ABOUT THE NEW GALLERY / HISTORY
︎︎︎ Back
A BRIEF HISTORY OF THE NEW GALLERY /
The Clouds & Water Gallery and Visual Production Society opened its doors on March 15, 1975. One of the first artist-run centres to be established in Canada, it immediately provided a compelling alternative to mainstream culture in Calgary. In addition to gallery exhibition programming, the Society operated the Sancious Coffeehouse, where live presentations of experimental performance art (spoken word, experimental dance, theatre and music) took place. This marked the beginning of the Society’s consistent support of time-based and performative arts.
In 1980 the Society moved into a new downtown location and was renamed the OFF CENTRE CENTRE. Collaboration and interactivity were encouraged through events such as the International Mail Art Symposium (1986) and Media Blitz I and II (in 1988 and 1989). Media Blitz were ten day long festivals of experimental film, video and performance art by local artists, produced in conjunction with several other Calgary arts groups.
As a cultural incubator, OFF CENTRE CENTRE fostered the development of several community-based, artist-run organizations over the years: Centre Art Video (now operating as the EMMEDIA Gallery & Production Society), theatre arts company One Yellow Rabbit and alternative broadcaster RADIO/RADIO, among others. Its members also played a significant formative role in the organization of ANNPAC (Association of National Non-Profit Artist-run Centres).
In 1987, fire destroyed parts of the building occupied by the OCC on the Stephen Avenue Mall and the Society was on the move again. It soon reopened as The New Gallery, in a space shared with the Paul Kuhn and Stride Galleries. In the course of an ongoing review of the value and responsibilities of artist-run centres, TNG recognized that many artists in the local community had traditionally felt excluded from the organization. In 1992 TNG partnered with Minquon Panchayat, a national coalition supporting artists of colour, to raise awareness around issues of race and gender, and to actively address these issues in the context of regular TNG programming.
In 1996, The New Gallery returned to its roots, moving back into the original Clouds & Water location. Here TNG maintained three exhibition spaces and a Resource Centre, housing its now significant collection of material dedicated to contemporary art, the development of artist-run culture in Calgary, and TNG’s history.
The New Gallery celebrated its 25-year anniversary in 2000, presenting a major retrospective exhibition at the Alberta College of Art and Design, publishing an accompanying catalogue and developing a new web site. In response to demand within the local artistic community for a venue in which to present spontaneous performative art forms, TNG initiated the highly successful Space for Space project. TNG also spearheaded the development a new city-wide performative arts festival, Mountain Standard Time (M:ST), which was first held in April 2001. This too developed into an independent society, which today manages a high profile biennial performance arts festival.
Faced with the immanent demolition of the building they occupied, TNG was forced to hastily relocate in 2007. Limited time and financial resources necessitated a move to the Ground Floor of the Eau Claire Market. Although the location was centrally located in a high-traffic pedestrian mall, the available square-footage was less than half that of The Gallery’s previous location, so the Resource Centre was relegated to storage and regularly programmed exhibition spaces were reduced to the Main Space and the +15 Window at the Epcor Centre for the Performing Arts.
In 2008, as a potential solution to TNG’s space shortage, the Gallery was offered the use of the John Snow Residence/Studio in Lower Mount Royal by the building’s owner. While the historic house was ultimately deemed to be inappropriate for most of TNG’s programming, it was considered a suitable home for the dormant Resource Centre. With this goal in mind, TNG began work to change the municipal zoning of the property so that the house could be used as a Resource Centre, office, and multi-purpose cultural space.
As 2009 drew to a close, TNG’s Board of Directors boldly opted to capitalize on the imminent end of the Gallery’s lease at Eau Claire Market, and move the Gallery to the top floor of Art Central– an arts-oriented building in the heart of Calgary’s growing Cultural District. Due to the availability of the new space, this move was executed without any interruption of already scheduled programming. In fact, TNG was able to stage its annual Holiday Tree Show fundraiser in the Gallery’s new location, before the final exhibition in the old space came down the next day.
In 2010 The New Gallery (TNG) celebrated 35 years of presenting contemporary art in Calgary. Commemorating an important cultural achievement, throughout the month of January TNG's +15 Window Space in the Epcor Centre for the Performing Arts traced The Clouds & Water Gallery and Visual Production Society's history through three and a half decades, drawing on the Gallery's significant collection of archival material. Like the few other artist-run centres in Canada which have endured as long, TNG's history is characterized by multiple locations; more uniquely though, many of the buildings that the Gallery has occupied have been demolished behind it, making way for new development. Characterizing the life of Calgary's original artist-run centre in light of its different physical locations around the downtown core acknowledges one of the persistent challenges TNG has faced and frames some of the many achievements of the non-profit organization since 1975.
By June of 2010, TNG successfully completed the re-zoning of the John Snow Residence and held its grand opening on November 19th. While stewarding the JSH, TNG’s archives were held in the house and were available to artists and community members for inspiration and consultation.
In 2013, TNG moved its Main Space to the historic Canton Block in Calgary’s Chinatown. TNG remains conscientious that their home in Calgary Chinatown is in a culturally specific community, and the organization works hard to be a positive contributor and responsible neighbour. TNG does this work by reaching out and inviting in community members, ensuring materials and programming are accessible and inclusive, and by listening to the community and responding to their needs. Additionally, TNG participates in neighbourhood events, including festivals, celebrations, tours, and has also organized events such as community clean-ups. TNG is in constant conversation and consultation with organizations including the CCECA, Calgary Chinese Community Service Association (CCCSA), Clover Living, the Calgary Chinese Cultural Centre, the Malaysian Singaporean and Bruneian Community Association, the Asian Heritage Foundation, and the Chinatown District BIA. The Chinatown District BIA and Calgary Chinese Community Service Association have been, and continue to be integral consultants with TNG’s renovation plans, providing feedback on designs, and letters of support for TNG’s capital project fundraising. TNG looks forward to continuing to develop these relationships, and fostering new ones over the coming years.
Following the sale of John Snow House, the Resource Centre was temporarily relocated to Ng Tower, directly across from TNG’s Main Space. In 2019, the Resource Centre moved to its present home in Canton Block, directly above the Main Space.
TNG currently operates the Main Space, Resource Centre, and two new exhibition spaces, Billboard 208 and Main Frame. Launched in 2020, Billboard 208 leverages the high visibility of our storefront on the major thoroughfare of Centre St. South and expands the reach of our programming while bringing critical discourse to this public space. TNG is also piloting Main Frame alongside our core programming. This pilot commissions new digital artworks by upcoming artists programmed within TNG’s Main Space, expanding on their original proposals.
Want to know even more nitty-gritty details?In 1980 the Society moved into a new downtown location and was renamed the OFF CENTRE CENTRE. Collaboration and interactivity were encouraged through events such as the International Mail Art Symposium (1986) and Media Blitz I and II (in 1988 and 1989). Media Blitz were ten day long festivals of experimental film, video and performance art by local artists, produced in conjunction with several other Calgary arts groups.
As a cultural incubator, OFF CENTRE CENTRE fostered the development of several community-based, artist-run organizations over the years: Centre Art Video (now operating as the EMMEDIA Gallery & Production Society), theatre arts company One Yellow Rabbit and alternative broadcaster RADIO/RADIO, among others. Its members also played a significant formative role in the organization of ANNPAC (Association of National Non-Profit Artist-run Centres).
In 1987, fire destroyed parts of the building occupied by the OCC on the Stephen Avenue Mall and the Society was on the move again. It soon reopened as The New Gallery, in a space shared with the Paul Kuhn and Stride Galleries. In the course of an ongoing review of the value and responsibilities of artist-run centres, TNG recognized that many artists in the local community had traditionally felt excluded from the organization. In 1992 TNG partnered with Minquon Panchayat, a national coalition supporting artists of colour, to raise awareness around issues of race and gender, and to actively address these issues in the context of regular TNG programming.
In 1996, The New Gallery returned to its roots, moving back into the original Clouds & Water location. Here TNG maintained three exhibition spaces and a Resource Centre, housing its now significant collection of material dedicated to contemporary art, the development of artist-run culture in Calgary, and TNG’s history.
The New Gallery celebrated its 25-year anniversary in 2000, presenting a major retrospective exhibition at the Alberta College of Art and Design, publishing an accompanying catalogue and developing a new web site. In response to demand within the local artistic community for a venue in which to present spontaneous performative art forms, TNG initiated the highly successful Space for Space project. TNG also spearheaded the development a new city-wide performative arts festival, Mountain Standard Time (M:ST), which was first held in April 2001. This too developed into an independent society, which today manages a high profile biennial performance arts festival.
Faced with the immanent demolition of the building they occupied, TNG was forced to hastily relocate in 2007. Limited time and financial resources necessitated a move to the Ground Floor of the Eau Claire Market. Although the location was centrally located in a high-traffic pedestrian mall, the available square-footage was less than half that of The Gallery’s previous location, so the Resource Centre was relegated to storage and regularly programmed exhibition spaces were reduced to the Main Space and the +15 Window at the Epcor Centre for the Performing Arts.
In 2008, as a potential solution to TNG’s space shortage, the Gallery was offered the use of the John Snow Residence/Studio in Lower Mount Royal by the building’s owner. While the historic house was ultimately deemed to be inappropriate for most of TNG’s programming, it was considered a suitable home for the dormant Resource Centre. With this goal in mind, TNG began work to change the municipal zoning of the property so that the house could be used as a Resource Centre, office, and multi-purpose cultural space.
As 2009 drew to a close, TNG’s Board of Directors boldly opted to capitalize on the imminent end of the Gallery’s lease at Eau Claire Market, and move the Gallery to the top floor of Art Central– an arts-oriented building in the heart of Calgary’s growing Cultural District. Due to the availability of the new space, this move was executed without any interruption of already scheduled programming. In fact, TNG was able to stage its annual Holiday Tree Show fundraiser in the Gallery’s new location, before the final exhibition in the old space came down the next day.
In 2010 The New Gallery (TNG) celebrated 35 years of presenting contemporary art in Calgary. Commemorating an important cultural achievement, throughout the month of January TNG's +15 Window Space in the Epcor Centre for the Performing Arts traced The Clouds & Water Gallery and Visual Production Society's history through three and a half decades, drawing on the Gallery's significant collection of archival material. Like the few other artist-run centres in Canada which have endured as long, TNG's history is characterized by multiple locations; more uniquely though, many of the buildings that the Gallery has occupied have been demolished behind it, making way for new development. Characterizing the life of Calgary's original artist-run centre in light of its different physical locations around the downtown core acknowledges one of the persistent challenges TNG has faced and frames some of the many achievements of the non-profit organization since 1975.
By June of 2010, TNG successfully completed the re-zoning of the John Snow Residence and held its grand opening on November 19th. While stewarding the JSH, TNG’s archives were held in the house and were available to artists and community members for inspiration and consultation.
In 2013, TNG moved its Main Space to the historic Canton Block in Calgary’s Chinatown. TNG remains conscientious that their home in Calgary Chinatown is in a culturally specific community, and the organization works hard to be a positive contributor and responsible neighbour. TNG does this work by reaching out and inviting in community members, ensuring materials and programming are accessible and inclusive, and by listening to the community and responding to their needs. Additionally, TNG participates in neighbourhood events, including festivals, celebrations, tours, and has also organized events such as community clean-ups. TNG is in constant conversation and consultation with organizations including the CCECA, Calgary Chinese Community Service Association (CCCSA), Clover Living, the Calgary Chinese Cultural Centre, the Malaysian Singaporean and Bruneian Community Association, the Asian Heritage Foundation, and the Chinatown District BIA. The Chinatown District BIA and Calgary Chinese Community Service Association have been, and continue to be integral consultants with TNG’s renovation plans, providing feedback on designs, and letters of support for TNG’s capital project fundraising. TNG looks forward to continuing to develop these relationships, and fostering new ones over the coming years.
Following the sale of John Snow House, the Resource Centre was temporarily relocated to Ng Tower, directly across from TNG’s Main Space. In 2019, the Resource Centre moved to its present home in Canton Block, directly above the Main Space.
TNG currently operates the Main Space, Resource Centre, and two new exhibition spaces, Billboard 208 and Main Frame. Launched in 2020, Billboard 208 leverages the high visibility of our storefront on the major thoroughfare of Centre St. South and expands the reach of our programming while bringing critical discourse to this public space. TNG is also piloting Main Frame alongside our core programming. This pilot commissions new digital artworks by upcoming artists programmed within TNG’s Main Space, expanding on their original proposals.
Some of TNG’s archival material (mainly records related to our administrative history) was donated to Glenbow Museum in 2009. Click here to see the online finding aid: ︎https://albertaonrecord.ca/new-gallery-fonds
Transferring TNG’s archival material to Glenbow allows TNG to focus on providing high-quality contemporary exhibits while reducing our need for storage space. TNG’s material history is now safely stored in a climate-controlled area where it can be accessed by researchers and students. Admission to Glenbow’s Library and Archives is free, and we encourage you to visit to learn more about The New Gallery’s history!
For information about Glenbow Library and Archives, click here: ︎ https://www.glenbow.org/art-artifacts/library-archives/

